Charles Green is Professor of Contemporary Art at the University of Melbourne. He is the author of The Third Hand: Artist Collaborations from Conceptualism to Postmodernism (2001) and Peripheral Vision: Contemporary Australian Art 1970-94 (1995) and co-author of Framing Conflict: War, Peace and Aftermath (2014, with L. Brown and J. Cattapan). As Adjunct Senior Curator of Contemporary Art at the National Gallery of Victoria he co-curated Fieldwork: Australian Art 1968-2002 (2002), world rush_4 artists (2003), 2004: Australian Visual Culture Now (ACMI/NGVA, 2004), and 2006: Contemporary Commonwealth (ACMI/NGVA, 2006). Green is also an artist working in collaboration with Lyndell Brown since 1989.

Anthony Gardner is Associate Professor in Contemporary Art History and Theory at the Ruskin School of Art at the University of Oxford. He is the author of Politically Unbecoming: Postsocialist Art Against Democracy (2015), the editor of Mapping South: Journeys in South-South Cultural Relations (2013) and a co-editor of the journal ArtMargins.

Introduction 3

Part 1 The SecondWave

1 1972: The Rise of the Star-Curator 19

2 1979: Cultural Translation, Cultural Exclusion, and the Second Wave 49

3 1986: The South and the Edges of the Global 81

Part 2 The Politics of Legitimacy

4 1989: Asian Biennialization 111

5 1997: Biennials, Migration, and Itinerancy 145

Part 3 Hegemony or a New Canon

6 2002: Cosmopolitanism 183

7 2003: Delegating Authority 209

8 2014: Global Art Circuits 241

9 Conclusion 272

Index 279