Part I. Europe: 1. Ferdinand Hodler (1972); 2. Art in a turbulent era: German and Austrian Expressionism (1978); 3. Emergence of the Avant-Garde: first German autumn Salon of 1913 (1991); 4. Schoenberg and the visual arts (1974); 5. The persistence of Expressionism: the second generation (1989); 6. German realism of the twenties: the artist as social critic (1980); 7. Max Beckmann: the self-portraits (1992); 8. Degenerate Art reconstructed (1991); 9. Revival and survival of Expressionist trends in the art of the GDR (1989); 10. Eduardo Chillida: art in the public domain (1986, 1988); Part II. Atlantic Crossing: 11. Americans abroad (1993); 12. The impact from abroad: foreign guests and visitors in California (1996); 13. Modernism comes to Chicago: the Institute of Design (1996); 14. New images of man (1959); 15. Directions in Kinetic sculpture (1966); Part III. United States: 16. Max Beckmann in America (1984); 17. Sam Francis: Blue Balls (1991); 18. Agnes Denes: the artist as universalist (1992); 19. The flaccid art (1963); 20. Notes on Funk (1967); 21. Llyn Foulkes' work of the 1960s: images of disruption and illusion (1987); 22. Harold Persico Paris (1992); 23. Rupert Garcia: the artist as advocate (1991); 24. Oh Say Can You See? Flags: Johns to Burkhardt (1992); 25. Bedri Baykam: American xenophobia and Expressionist dreams (1986).