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From one of the UK's most acclaimed and successful tutors of stand-up comedy comes this guide to understanding, developing and, most importantly, delivering a great comedy routine. Features practical tips, exercises, and expert advice.
From one of the UK's most acclaimed and successful tutors of stand-up comedy comes this guide to understanding, developing and, most importantly, delivering a great comedy routine. Features practical tips, exercises, and expert advice.
Über den Autor
Logan Murray is a comedian and Edi-nominated director. His 'Stand Up and Deliver' courses have taught the art of comedy to over 700 participants, many of whom have gone on to win awards.
Inhaltsverzeichnis
- : introduction
- : part one: theory
- 01: where do jokes come from?
- : do we create funny ideas or do they come
- : and find us?
- : practical creative games
- : some modern theories of humour
- : what is a joke?
- : attitude, the comedian's secret weapon
- : attitude games
- 02: building a joke
- : extreme attitudes to specific points can
- : lead to humour
- : always ask yourself: 'what is the comedian's
- : answer to this particular problem?'
- : finding the joke
- : afterthoughts
- : afterthought games
- 03: comedy ground rules
- : style or content?
- : kill little Mr/Ms social control in your head
- : stupid name game
- : what's your attitude to the subject?
- : more attitude games
- : be specific
- : games to develop specific thinking
- : be concise
- : the longer the set up, the funnier the
- : punchline had better be!
- : if it doesn't add, it detracts
- : detracting the audience verbally
- : detracting the audience with your body
- : language
- : avoid the temptation of burying your
- : routines in the past
- : always remember: start with your best stuff;
- : finish with your best stuff; let the middle
- : take care of itself
- 04: what sort of comic are you?
- : your persona
- : comedic flaws and how to use them
- : comic archetypes
- : mixing and matching
- : games to uncover comedic flaws
- : part two: practical sessions
- 05: unlocking your creativity
- : don't worry about the result: just write!
- : writing activities
- 06: a word about emotional exaggeration
- : breaking the habits of a lifetime: be bigger,
- : be broader!
- : reasons why comics start exaggerating
- : their emotional responses…
- : reasons why new comedians might
- : overlook their emotional performance…
- : why comedians need to be more extreme…
- : activities to encourage emotional
- : exaggeration
- 07: creating material
- : workshop 1: the thank you list
- : workshop 2: building routines
- : workshop 3: putting your set together
- : pruning your material
- : 'less is more' activities
- : workshop 4: the hate list
- : workshop 5: creating your own lists
- : workshop 6: joke forms
- : workshop 7: finding different voices
- : stereotype activities
- : creating a character act
- 08: stagecraft
- : think about your attitude to your audience
- : treat the audience exactly how you would
- : treat your friends
- : force yourself to look at the audience
- : try to 'read' the crowd
- : slow down!
- : speeding through your set means that
- : inevitably your timing will be off
- : how to deal with nerves
- 09: microphone technique
- : microphone mistakes
- 10: hecklers and crowd control
- : why a gig can go bad
- : how to make a gig better
- : hecklers
- : crowd control exercises
- 11: what other comics think
- : Milton Jones
- : Richard Herring
- : Steve Hall
- : Sarah Kendal
- : Pat Condell
- : Katy Bagshaw
- : Marek Larwood
- : Mark Maier
- : Robin Ince
- : Greg Davies
- 12: business
- : how to get started
- : learn to market yourself
- : publicity
- : phoning for work
- : etiquette
- : do your time on stage
- : building your set
- : compèring
- : beyond stand-up
- : competitions
- : festivals
- : agents and managers
- 13: your first gig
- : booking the gig
- : three or four days before the gig
- : the day before the gig
- : on the day of the gig
- : on the evening of the gig
- : on stage
- : after the gig
- 14: the future
- : appendix 1: group games
- : appendix 2: the fall and rise of stand-up comedy
- : taking it further
- : index
- : acknowledgements
Details
| Erscheinungsjahr: | 2010 |
|---|---|
| Genre: | Importe |
| Rubrik: | Ratgeber |
| Thema: | Briefe, Bewerbungen, Wiss. Arbeiten, Rhetorik |
| Medium: | Taschenbuch |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9781444107265 |
| ISBN-10: | 1444107267 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Murray, Logan |
| Hersteller: | John Murray Press |
| Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
| Maße: | 198 x 128 x 25 mm |
| Von/Mit: | Logan Murray |
| Erscheinungsdatum: | 25.06.2010 |
| Gewicht: | 0,24 kg |
Über den Autor
Logan Murray is a comedian and Edi-nominated director. His 'Stand Up and Deliver' courses have taught the art of comedy to over 700 participants, many of whom have gone on to win awards.
Inhaltsverzeichnis
- : introduction
- : part one: theory
- 01: where do jokes come from?
- : do we create funny ideas or do they come
- : and find us?
- : practical creative games
- : some modern theories of humour
- : what is a joke?
- : attitude, the comedian's secret weapon
- : attitude games
- 02: building a joke
- : extreme attitudes to specific points can
- : lead to humour
- : always ask yourself: 'what is the comedian's
- : answer to this particular problem?'
- : finding the joke
- : afterthoughts
- : afterthought games
- 03: comedy ground rules
- : style or content?
- : kill little Mr/Ms social control in your head
- : stupid name game
- : what's your attitude to the subject?
- : more attitude games
- : be specific
- : games to develop specific thinking
- : be concise
- : the longer the set up, the funnier the
- : punchline had better be!
- : if it doesn't add, it detracts
- : detracting the audience verbally
- : detracting the audience with your body
- : language
- : avoid the temptation of burying your
- : routines in the past
- : always remember: start with your best stuff;
- : finish with your best stuff; let the middle
- : take care of itself
- 04: what sort of comic are you?
- : your persona
- : comedic flaws and how to use them
- : comic archetypes
- : mixing and matching
- : games to uncover comedic flaws
- : part two: practical sessions
- 05: unlocking your creativity
- : don't worry about the result: just write!
- : writing activities
- 06: a word about emotional exaggeration
- : breaking the habits of a lifetime: be bigger,
- : be broader!
- : reasons why comics start exaggerating
- : their emotional responses…
- : reasons why new comedians might
- : overlook their emotional performance…
- : why comedians need to be more extreme…
- : activities to encourage emotional
- : exaggeration
- 07: creating material
- : workshop 1: the thank you list
- : workshop 2: building routines
- : workshop 3: putting your set together
- : pruning your material
- : 'less is more' activities
- : workshop 4: the hate list
- : workshop 5: creating your own lists
- : workshop 6: joke forms
- : workshop 7: finding different voices
- : stereotype activities
- : creating a character act
- 08: stagecraft
- : think about your attitude to your audience
- : treat the audience exactly how you would
- : treat your friends
- : force yourself to look at the audience
- : try to 'read' the crowd
- : slow down!
- : speeding through your set means that
- : inevitably your timing will be off
- : how to deal with nerves
- 09: microphone technique
- : microphone mistakes
- 10: hecklers and crowd control
- : why a gig can go bad
- : how to make a gig better
- : hecklers
- : crowd control exercises
- 11: what other comics think
- : Milton Jones
- : Richard Herring
- : Steve Hall
- : Sarah Kendal
- : Pat Condell
- : Katy Bagshaw
- : Marek Larwood
- : Mark Maier
- : Robin Ince
- : Greg Davies
- 12: business
- : how to get started
- : learn to market yourself
- : publicity
- : phoning for work
- : etiquette
- : do your time on stage
- : building your set
- : compèring
- : beyond stand-up
- : competitions
- : festivals
- : agents and managers
- 13: your first gig
- : booking the gig
- : three or four days before the gig
- : the day before the gig
- : on the day of the gig
- : on the evening of the gig
- : on stage
- : after the gig
- 14: the future
- : appendix 1: group games
- : appendix 2: the fall and rise of stand-up comedy
- : taking it further
- : index
- : acknowledgements
Details
| Erscheinungsjahr: | 2010 |
|---|---|
| Genre: | Importe |
| Rubrik: | Ratgeber |
| Thema: | Briefe, Bewerbungen, Wiss. Arbeiten, Rhetorik |
| Medium: | Taschenbuch |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9781444107265 |
| ISBN-10: | 1444107267 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Murray, Logan |
| Hersteller: | John Murray Press |
| Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
| Maße: | 198 x 128 x 25 mm |
| Von/Mit: | Logan Murray |
| Erscheinungsdatum: | 25.06.2010 |
| Gewicht: | 0,24 kg |
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