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Beschreibung
Aby Warburg's Mnemosyne Atlas (1925-1929) is a prescient work of mixed media assemblage, made up of hundreds of images culled from antiquity to the Renaissance and arranged into startling juxtapositions. Warburg's allusive atlas sought to illuminate the pains of his final years, after he had suffered a breakdown and been institutionalized. It continues to influence contemporary artists today, including Gerhard Richter and Mark Dion. In this illustrated exploration of Warburg and his great work, Georges Didi-Huberman leaps from Mnemosyne Atlas into a set of musings on the relation between suffering and knowledge in Western thought, and on the creative results of associative thinking. Deploying writing that delights in dramatic jump cuts reminiscent of Warburg's idiosyncratic juxtapositions, and drawing on a set of sources that ranges from ancient Babylon to Walter Benjamin, Atlas, or the Anxious Gay Science is rich in Didi-Huberman's trademark combination of elan and insight.
Aby Warburg's Mnemosyne Atlas (1925-1929) is a prescient work of mixed media assemblage, made up of hundreds of images culled from antiquity to the Renaissance and arranged into startling juxtapositions. Warburg's allusive atlas sought to illuminate the pains of his final years, after he had suffered a breakdown and been institutionalized. It continues to influence contemporary artists today, including Gerhard Richter and Mark Dion. In this illustrated exploration of Warburg and his great work, Georges Didi-Huberman leaps from Mnemosyne Atlas into a set of musings on the relation between suffering and knowledge in Western thought, and on the creative results of associative thinking. Deploying writing that delights in dramatic jump cuts reminiscent of Warburg's idiosyncratic juxtapositions, and drawing on a set of sources that ranges from ancient Babylon to Walter Benjamin, Atlas, or the Anxious Gay Science is rich in Didi-Huberman's trademark combination of elan and insight.
Über den Autor
Georges Didi-Huberman is professor at the École des Hautes Études en Sciences Sociales in Paris. He is the author of more than thirty books on the history and theory of images, including Images in Spite of All, published by the University of Chicago Press.
Details
Erscheinungsjahr: | 2018 |
---|---|
Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Thema: | Kunstgeschichte |
Medium: | Buch |
Inhalt: | Gebunden |
ISBN-13: | 9780226439471 |
ISBN-10: | 022643947X |
Sprache: | Englisch |
Einband: | Gebunden |
Autor: |
Didi-Huberman, Georges
Lillis, Shane B. |
Hersteller: | The University of Chicago Press |
Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
Maße: | 224 x 151 x 32 mm |
Von/Mit: | Georges Didi-Huberman (u. a.) |
Erscheinungsdatum: | 22.06.2018 |
Gewicht: | 0,584 kg |
Über den Autor
Georges Didi-Huberman is professor at the École des Hautes Études en Sciences Sociales in Paris. He is the author of more than thirty books on the history and theory of images, including Images in Spite of All, published by the University of Chicago Press.
Details
Erscheinungsjahr: | 2018 |
---|---|
Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Thema: | Kunstgeschichte |
Medium: | Buch |
Inhalt: | Gebunden |
ISBN-13: | 9780226439471 |
ISBN-10: | 022643947X |
Sprache: | Englisch |
Einband: | Gebunden |
Autor: |
Didi-Huberman, Georges
Lillis, Shane B. |
Hersteller: | The University of Chicago Press |
Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
Maße: | 224 x 151 x 32 mm |
Von/Mit: | Georges Didi-Huberman (u. a.) |
Erscheinungsdatum: | 22.06.2018 |
Gewicht: | 0,584 kg |
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