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Art of the Cut
Conversations with Film and TV Editors
Taschenbuch von Steve Hullfish
Sprache: Englisch

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Beschreibung
Art of the Cut provides an unprecedented look at the art and technique of contemporary film and television editing. It is a fascinating "virtual roundtable discussion" with more than 50 of the top editors from around the globe. Included in the discussion are the winners of more than a dozen Oscars for Best Editing and the nominees of more than forty, plus numerous Emmy winners and nominees. Together they have over a thousand years of editing experience and have edited more than a thousand movies and TV shows.

Hullfish carefully curated over a hundred hours of interviews, organizing them into topics critical to editors everywhere, generating an extended conversation among colleagues. The discussions provide a broad spectrum of opinions that illustrate both similarities and differences in techniques and artistic approaches. Topics include rhythm, pacing, structure, storytelling and collaboration.

Interviewees include Margaret Sixel (Mad Max: Fury Road), Tom Cross (Whiplash, La La Land), Pietro Scalia (The Martian, JFK), Stephen Mirrione (The Revenant), Ann Coates (Lawrence of Arabia, Murder on the Orient Express), Joe Walker (12 Years a Slave, Sicario), Kelley Dixon (Breaking Bad, The Walking Dead), and many more.

Art of the Cut also includes in-line definitions of editing terminology, with a full glossary and five supplemental web chapters hosted online at [...] This book is a treasure trove of valuable tradecraft for aspiring editors and a prized resource for high-level working professionals. The book's accessible language and great behind-the-scenes insight makes it a fascinating glimpse into the art of filmmaking for all fans of cinema.

Please access the link below for the book's illustration files. Please note that an account with Box is not required to access these files:

[...]
Art of the Cut provides an unprecedented look at the art and technique of contemporary film and television editing. It is a fascinating "virtual roundtable discussion" with more than 50 of the top editors from around the globe. Included in the discussion are the winners of more than a dozen Oscars for Best Editing and the nominees of more than forty, plus numerous Emmy winners and nominees. Together they have over a thousand years of editing experience and have edited more than a thousand movies and TV shows.

Hullfish carefully curated over a hundred hours of interviews, organizing them into topics critical to editors everywhere, generating an extended conversation among colleagues. The discussions provide a broad spectrum of opinions that illustrate both similarities and differences in techniques and artistic approaches. Topics include rhythm, pacing, structure, storytelling and collaboration.

Interviewees include Margaret Sixel (Mad Max: Fury Road), Tom Cross (Whiplash, La La Land), Pietro Scalia (The Martian, JFK), Stephen Mirrione (The Revenant), Ann Coates (Lawrence of Arabia, Murder on the Orient Express), Joe Walker (12 Years a Slave, Sicario), Kelley Dixon (Breaking Bad, The Walking Dead), and many more.

Art of the Cut also includes in-line definitions of editing terminology, with a full glossary and five supplemental web chapters hosted online at [...] This book is a treasure trove of valuable tradecraft for aspiring editors and a prized resource for high-level working professionals. The book's accessible language and great behind-the-scenes insight makes it a fascinating glimpse into the art of filmmaking for all fans of cinema.

Please access the link below for the book's illustration files. Please note that an account with Box is not required to access these files:

[...]
Über den Autor

Steve Hullfish is a feature film and TV editor with credits including, "Courageous," "War Room," "Champion" and the theatrically-released feature documentary, "Clinton Inc." Hullfish is the author of five other books, including The Art and Technique of Digital Color Correction and Avid Uncut. Hullfish also trains editors and colorists around the world.

Inhaltsverzeichnis

Acknowledgments

Introduction

Film Editor Biographies

1. PROJECT ORGANIZATION

Cards on a Wall

Project Organization

Scene Bin Organization

Scene Bin Organization with JPEG Markers

Selects or KEM Rolls

Sequence Organization

Organizing a Timeline Layout

ScriptSync

2. APPROACH TO A SCENE

Screening Dailies (Rushes)

Watching Dailies Backwards

Finding a Starting Place

Fast and Rough to Start

Using Select Reels

3. PACING AND RHYTHM

Pacing is Musical

What Determines Pacing?

Letting it Breathe

Pacing Due to Screen Size

4. STRUCTURE

Length of First Assembly

Working the First Assembly

Hitting Beats

Structure

Intercutting

Killing Your Babies and Eliminating Shoe Leather

Screening

First Assembly in TV

5. STORYTELLING

Editing is Foundational to Storytelling

Speaking into the Script

Character

Perspective

Structure

A Student of Story

6. PERFORMANCE

Editing as Stewardship

Finding the Performance

Performance That Tells the Story

Shaping Performance

Editing Bracketed Performances

Using Audio from Different Takes Than Picture

Split Screen: The Invisible Weapon

Performance Needs Context

7. SOUND DESIGN

Sound to Sell Visual Edits

Selling the Environment

Collaboration with Sound Team and Assistants

ADR (Automated Dialogue Replacement)

8. MUSIC

The Purpose of Temp Music

Choosing Temp Music

Cutting Without Temp

Songs and Diegetic or "Source" Music

Temping a Franchise Film

Using Score

9. COLLABORATION

Landing the Gig

Styles of Collaboration

Notes

Social Skills

Don't Edit the Way You Think the Director Wants

TV's Collaborative Environment

10. DOCUMENTARY

Schedule

Approaching the Material

ScriptSync

Shot Selection

Pacing and Rhythm

Structure

Sound Design

Music

Collaboration

Notes and Revisions

Miscellaneous Documentary Wisdom

11. MISCELLANEOUS WISDOM

How Did You Break Into the Business?

Emotion

Geography

Learn From Your Mistakes

How Do You Judge the Editing of Others?

Details
Erscheinungsjahr: 2017
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Fotografie
Medium: Taschenbuch
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9781138238664
ISBN-10: 113823866X
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Hullfish, Steve
Hersteller: Routledge
Verantwortliche Person für die EU: Books on Demand GmbH, In de Tarpen 42, D-22848 Norderstedt, info@bod.de
Maße: 229 x 152 x 17 mm
Von/Mit: Steve Hullfish
Erscheinungsdatum: 03.03.2017
Gewicht: 0,446 kg
Artikel-ID: 103162454
Über den Autor

Steve Hullfish is a feature film and TV editor with credits including, "Courageous," "War Room," "Champion" and the theatrically-released feature documentary, "Clinton Inc." Hullfish is the author of five other books, including The Art and Technique of Digital Color Correction and Avid Uncut. Hullfish also trains editors and colorists around the world.

Inhaltsverzeichnis

Acknowledgments

Introduction

Film Editor Biographies

1. PROJECT ORGANIZATION

Cards on a Wall

Project Organization

Scene Bin Organization

Scene Bin Organization with JPEG Markers

Selects or KEM Rolls

Sequence Organization

Organizing a Timeline Layout

ScriptSync

2. APPROACH TO A SCENE

Screening Dailies (Rushes)

Watching Dailies Backwards

Finding a Starting Place

Fast and Rough to Start

Using Select Reels

3. PACING AND RHYTHM

Pacing is Musical

What Determines Pacing?

Letting it Breathe

Pacing Due to Screen Size

4. STRUCTURE

Length of First Assembly

Working the First Assembly

Hitting Beats

Structure

Intercutting

Killing Your Babies and Eliminating Shoe Leather

Screening

First Assembly in TV

5. STORYTELLING

Editing is Foundational to Storytelling

Speaking into the Script

Character

Perspective

Structure

A Student of Story

6. PERFORMANCE

Editing as Stewardship

Finding the Performance

Performance That Tells the Story

Shaping Performance

Editing Bracketed Performances

Using Audio from Different Takes Than Picture

Split Screen: The Invisible Weapon

Performance Needs Context

7. SOUND DESIGN

Sound to Sell Visual Edits

Selling the Environment

Collaboration with Sound Team and Assistants

ADR (Automated Dialogue Replacement)

8. MUSIC

The Purpose of Temp Music

Choosing Temp Music

Cutting Without Temp

Songs and Diegetic or "Source" Music

Temping a Franchise Film

Using Score

9. COLLABORATION

Landing the Gig

Styles of Collaboration

Notes

Social Skills

Don't Edit the Way You Think the Director Wants

TV's Collaborative Environment

10. DOCUMENTARY

Schedule

Approaching the Material

ScriptSync

Shot Selection

Pacing and Rhythm

Structure

Sound Design

Music

Collaboration

Notes and Revisions

Miscellaneous Documentary Wisdom

11. MISCELLANEOUS WISDOM

How Did You Break Into the Business?

Emotion

Geography

Learn From Your Mistakes

How Do You Judge the Editing of Others?

Details
Erscheinungsjahr: 2017
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Fotografie
Medium: Taschenbuch
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9781138238664
ISBN-10: 113823866X
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Hullfish, Steve
Hersteller: Routledge
Verantwortliche Person für die EU: Books on Demand GmbH, In de Tarpen 42, D-22848 Norderstedt, info@bod.de
Maße: 229 x 152 x 17 mm
Von/Mit: Steve Hullfish
Erscheinungsdatum: 03.03.2017
Gewicht: 0,446 kg
Artikel-ID: 103162454
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