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An Anthropology of Images
Picture, Medium, Body
Taschenbuch von Hans Belting
Sprache: Englisch

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"The case for an anthropology of images is very compelling. Belting's insistence on thinking across the received divisions between mental and physical images, virtual and real images, and technical and nontechnical images is refreshing and provocative. He is rightly skeptical of current dogmas about 'new media' as a radical historical break that renders the concept of the image obsolete. Again and again, he rejects rigid antitheses and presentist rhetoric as he argues for a much more nuanced, complex history of images."--W.J.T. Mitchell, University of Chicago

"Highly original and provocative, An Anthropology of Images is integral to today's contentious debates about the nature, history, and domain of images. The book's insights ripple far across the field of art history."--Michael Leja, University of Pennsylvania

"The case for an anthropology of images is very compelling. Belting's insistence on thinking across the received divisions between mental and physical images, virtual and real images, and technical and nontechnical images is refreshing and provocative. He is rightly skeptical of current dogmas about 'new media' as a radical historical break that renders the concept of the image obsolete. Again and again, he rejects rigid antitheses and presentist rhetoric as he argues for a much more nuanced, complex history of images."--W.J.T. Mitchell, University of Chicago

"Highly original and provocative, An Anthropology of Images is integral to today's contentious debates about the nature, history, and domain of images. The book's insights ripple far across the field of art history."--Michael Leja, University of Pennsylvania

Über den Autor
Hans Belting has held chairs in art history at the universities of Heidelberg and Munich and has been a visiting professor at Harvard, Columbia, and Northwestern. He also cofounded and taught at the School for New Media in Karlsruhe, Germany. His many books include Likeness and Presence, The End of the History of Art?, The Invisible Masterpiece, Art History after Modernism, and Looking through Duchamp's Door.
Details
Erscheinungsjahr: 2014
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Allgemeine Kunst
Medium: Taschenbuch
Inhalt: Kartoniert / Broschiert
ISBN-13: 9780691160962
ISBN-10: 0691160961
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Belting, Hans
Übersetzung: Dunlap, Thomas R
Auflage: Translated by Thomas Dunlap edition
Hersteller: Princeton University Press
Verantwortliche Person für die EU: preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de
Maße: 233 x 154 x 15 mm
Von/Mit: Hans Belting
Erscheinungsdatum: 21.07.2014
Gewicht: 0,425 kg
Artikel-ID: 105608858
Über den Autor
Hans Belting has held chairs in art history at the universities of Heidelberg and Munich and has been a visiting professor at Harvard, Columbia, and Northwestern. He also cofounded and taught at the School for New Media in Karlsruhe, Germany. His many books include Likeness and Presence, The End of the History of Art?, The Invisible Masterpiece, Art History after Modernism, and Looking through Duchamp's Door.
Details
Erscheinungsjahr: 2014
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Allgemeine Kunst
Medium: Taschenbuch
Inhalt: Kartoniert / Broschiert
ISBN-13: 9780691160962
ISBN-10: 0691160961
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Belting, Hans
Übersetzung: Dunlap, Thomas R
Auflage: Translated by Thomas Dunlap edition
Hersteller: Princeton University Press
Verantwortliche Person für die EU: preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de
Maße: 233 x 154 x 15 mm
Von/Mit: Hans Belting
Erscheinungsdatum: 21.07.2014
Gewicht: 0,425 kg
Artikel-ID: 105608858
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