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Aesthetics of the Commons examines a series of artistic and cultural projects-drawn from what can loosely be called the (post)digital-that take up this challenge in different ways. What unites them, however, is that they all have a 'double character.' They are art in the sense that they place themselves in relation to (Western) cultural and art systems, developing discursive and aesthetic positions, but, at the same time, they are 'operational' in that they create recursive environments and freely available resources whose uses exceed these systems. The first aspect raises questions about the kind of aesthetics that are being embodied, the second creates a relation to the larger concept of the 'commons.' In Aesthetics of the Commons, the commons are understood not as a fixed set of principles that need to be adhered to in order to fit a definition, but instead as a 'thinking tool'-in other words, the book's interest lies in what can be made visible by applying the framework of the commons as a heuristic device.
Aesthetics of the Commons examines a series of artistic and cultural projects-drawn from what can loosely be called the (post)digital-that take up this challenge in different ways. What unites them, however, is that they all have a 'double character.' They are art in the sense that they place themselves in relation to (Western) cultural and art systems, developing discursive and aesthetic positions, but, at the same time, they are 'operational' in that they create recursive environments and freely available resources whose uses exceed these systems. The first aspect raises questions about the kind of aesthetics that are being embodied, the second creates a relation to the larger concept of the 'commons.' In Aesthetics of the Commons, the commons are understood not as a fixed set of principles that need to be adhered to in order to fit a definition, but instead as a 'thinking tool'-in other words, the book's interest lies in what can be made visible by applying the framework of the commons as a heuristic device.
| Erscheinungsjahr: | 2021 |
|---|---|
| Fachbereich: | Geisteswissenschaften allgemein |
| Genre: | Geisteswissenschaften, Kunst, Musik |
| Rubrik: | Geisteswissenschaften |
| Medium: | Taschenbuch |
| Inhalt: | 276 S. |
| ISBN-13: | 9783035803457 |
| ISBN-10: | 3035803455 |
| Sprache: | Englisch |
| Autor: |
Stalder, Felix
Sollfrank, Cornelia Niederberger, Shusha |
| Redaktion: |
Stalder, Felix
Sollfrank, Cornelia Niederberger, Shusha |
| Herausgeber: | Felix Stalder/Cornelia Sollfrank/Shusha Niederberger |
| Hersteller: | diaphanes |
| Verantwortliche Person für die EU: | diaphanes verlag, Dresdener Str. 118, D-10999 Berlin, vertrieb@diaphanes.net |
| Maße: | 22 x 148 x 212 mm |
| Von/Mit: | Felix Stalder (u. a.) |
| Erscheinungsdatum: | 20.01.2021 |
| Gewicht: | 0,332 kg |
| Erscheinungsjahr: | 2021 |
|---|---|
| Fachbereich: | Geisteswissenschaften allgemein |
| Genre: | Geisteswissenschaften, Kunst, Musik |
| Rubrik: | Geisteswissenschaften |
| Medium: | Taschenbuch |
| Inhalt: | 276 S. |
| ISBN-13: | 9783035803457 |
| ISBN-10: | 3035803455 |
| Sprache: | Englisch |
| Autor: |
Stalder, Felix
Sollfrank, Cornelia Niederberger, Shusha |
| Redaktion: |
Stalder, Felix
Sollfrank, Cornelia Niederberger, Shusha |
| Herausgeber: | Felix Stalder/Cornelia Sollfrank/Shusha Niederberger |
| Hersteller: | diaphanes |
| Verantwortliche Person für die EU: | diaphanes verlag, Dresdener Str. 118, D-10999 Berlin, vertrieb@diaphanes.net |
| Maße: | 22 x 148 x 212 mm |
| Von/Mit: | Felix Stalder (u. a.) |
| Erscheinungsdatum: | 20.01.2021 |
| Gewicht: | 0,332 kg |
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