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Aaaaw to Zzzzzd: The Words of Birds: North America, Britain, and Northern Europe
Buch von John Bevis
Sprache: Englisch

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The distinctive and amazing songs and calls of birds: a meditation and a lexicon.

"A miraculous little book: a compressed encyclopedia of our fascination with avifauna.”
—The Nation

"A charming, funny, and eccentric book.”
—Times Literary Supplement

"An elegant tribute to the beauty of its subject.”
—Los Angeles Times

Birds sing and call, sometimes in complex and beautiful arrangements of notes, sometimes in one-line repetitions that resemble a ringtone more than a symphony. Listening, we are stirred, transported, and even envious of birds' ability to produce what Shelley called "profuse strains of unpremeditated art.” And for hundreds of years, we have tried to write down what we hear when birds sing. Poets have put birdsong in verse (Thomas Nashe: "Cuckoo, jug-jug, pu-we, to-witta-woo”) and ornithologists have transcribed bird sounds more methodically. Drawing on this history of bird writing, in Aaaaw to Zzzzzd John Bevis offers a lexicon of the words of birds. For tourists in Birdland, there could be no more charming phrasebook. Consulting it, we find seven distinct variations of "hoo” attributed to seven different species of owls, from a simple hoo to the more ambitious hoo hoo hoo-hoo, ho hoo hoo-hoo; the understated cheet of the tree swallow; the resonant kreeaaaaaaaaaaar of the Swainson's hawk; the modest peep peep peep of the meadow pipit. We learn that some people hear the Baltimore oriole saying "here, here, come right here, dear” and the yellowhammer saying "a little bit of bread and no cheese.” Bevis, a poet, frames his lexicons—one for North America and one for Britain and northern Europe—with an evocative appreciation of birds, birdsong, and human attempts to capture the words of birds in music and poetry. He also offers an engaging account of other methods of documenting birdsong—field recording, graphic notation, and mechanical devices including duck calls and the serinette, an instrument used to teach song tunes to songbirds. The singing of birds is nature at its most sublime, and words are our medium for expressing this sublimity. Aaaaw to Zzzzzd belongs in the bird lover's backpack and on the word lover's bedside table, an unexpected and sui generis pleasure.

The distinctive and amazing songs and calls of birds: a meditation and a lexicon.

"A miraculous little book: a compressed encyclopedia of our fascination with avifauna.”
—The Nation

"A charming, funny, and eccentric book.”
—Times Literary Supplement

"An elegant tribute to the beauty of its subject.”
—Los Angeles Times

Birds sing and call, sometimes in complex and beautiful arrangements of notes, sometimes in one-line repetitions that resemble a ringtone more than a symphony. Listening, we are stirred, transported, and even envious of birds' ability to produce what Shelley called "profuse strains of unpremeditated art.” And for hundreds of years, we have tried to write down what we hear when birds sing. Poets have put birdsong in verse (Thomas Nashe: "Cuckoo, jug-jug, pu-we, to-witta-woo”) and ornithologists have transcribed bird sounds more methodically. Drawing on this history of bird writing, in Aaaaw to Zzzzzd John Bevis offers a lexicon of the words of birds. For tourists in Birdland, there could be no more charming phrasebook. Consulting it, we find seven distinct variations of "hoo” attributed to seven different species of owls, from a simple hoo to the more ambitious hoo hoo hoo-hoo, ho hoo hoo-hoo; the understated cheet of the tree swallow; the resonant kreeaaaaaaaaaaar of the Swainson's hawk; the modest peep peep peep of the meadow pipit. We learn that some people hear the Baltimore oriole saying "here, here, come right here, dear” and the yellowhammer saying "a little bit of bread and no cheese.” Bevis, a poet, frames his lexicons—one for North America and one for Britain and northern Europe—with an evocative appreciation of birds, birdsong, and human attempts to capture the words of birds in music and poetry. He also offers an engaging account of other methods of documenting birdsong—field recording, graphic notation, and mechanical devices including duck calls and the serinette, an instrument used to teach song tunes to songbirds. The singing of birds is nature at its most sublime, and words are our medium for expressing this sublimity. Aaaaw to Zzzzzd belongs in the bird lover's backpack and on the word lover's bedside table, an unexpected and sui generis pleasure.

Über den Autor
John Bevis
Details
Empfohlen (von): 18
Erscheinungsjahr: 2010
Genre: Allg. & vergl. Sprachwissenschaft, Importe
Rubrik: Sprachwissenschaft
Medium: Buch
Reihe: Mit Press
Inhalt: Einband - fest (Hardcover)
ISBN-13: 9780262014298
ISBN-10: 0262014297
Sprache: Englisch
Einband: Gebunden
Autor: Bevis, John
Auflage: New
Hersteller: Penguin Random House LLC
Mit Press
Verantwortliche Person für die EU: preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de
Maße: 188 x 113 x 19 mm
Von/Mit: John Bevis
Erscheinungsdatum: 20.08.2010
Gewicht: 0,271 kg
Artikel-ID: 121016866
Über den Autor
John Bevis
Details
Empfohlen (von): 18
Erscheinungsjahr: 2010
Genre: Allg. & vergl. Sprachwissenschaft, Importe
Rubrik: Sprachwissenschaft
Medium: Buch
Reihe: Mit Press
Inhalt: Einband - fest (Hardcover)
ISBN-13: 9780262014298
ISBN-10: 0262014297
Sprache: Englisch
Einband: Gebunden
Autor: Bevis, John
Auflage: New
Hersteller: Penguin Random House LLC
Mit Press
Verantwortliche Person für die EU: preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de
Maße: 188 x 113 x 19 mm
Von/Mit: John Bevis
Erscheinungsdatum: 20.08.2010
Gewicht: 0,271 kg
Artikel-ID: 121016866
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