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"Mark Stansbury-O'Donnell has written a thoroughly contemporary history of Greek art ? the first that effectively integrates discussions of context with sensitive analysis of style. It provides students with a rich introduction to the fabric of ancient Greek culture." Tom Carpenter, Ohio University
"Stansbury-O'Donnell's admirable and innovative history deserves special praise for the fact that it devotes as much attention to ancient Greek art's cultural context as to its chronological and aesthetic development." J. J. Pollitt, Yale University
"A marvelous book, beautifully written and lavishly illustrated, it presents a well-rounded narrative of ancient Greek material culture. Combining a traditional diachronic approach with a fresh thematic coverage of the 'contexts' of ancient Greek art, it provides a comprehensive understanding of the Greeks and their world for students at all levels." Kim S. Shelton, University of California, Berkeley
"Engaging introduction to Greek art ... offers diachronic framework interspersed with chapters on synchronic themes, enhanced with comparative timelines including major monuments, definitions in margins, and profuse high-quality illustrations." Barbara A. Barletta, University of Florida
"One of the many things that makes Stansbury-O'Donnell's new survey of Greek art so refreshing ? and so important ? is his commitment to deep contexts. Specifically, he challenges students and teachers to think beyond the typical evolutionary model of 'ancient Greek art history,' and instead brilliantly focuses their attention on the rich cultural matrix that Greek art reflected, generated, and inspired." Peter Schultz, Concordia College
"Stansbury-O'Donnell has created an up-to-date and stimulating volume that presents an intelligible chronological survey of Greek art, interspersed with sections on contextual issues that examine the material from multiple synchronic perspectives and standpoints. This work will provide a valuable starting point for discussion among students on issues ancient and modern." Craig I. Hardiman, University of Waterloo, Canada
"With Stansbury-O'Donnell's skills in the interpretation of Greek art and the critical analysis of its historiography setting the tone throughout, this book provides readers at all levels with an insightful, thought-provoking introduction. Its clear structure, exquisite illustrations, and extensive supporting materials make it the most comprehensive undergraduate textbook currently on the market." Katharina Lorenz, University of Nottingham, United Kingdom
"Mark Stansbury-O'Donnell's A History of Greek Art presents a wide-ranging, magisterial, and superbly illustrated account of Greek art from the beginning of the Bronze Age to the end of the Hellenistic period. Its clear structure and exceedingly well chosen examples are most useful to students and teachers alike." Thomas Mannack, Beazley Archive, Oxford, United Kingdom
Written with students in mind, this thoroughly illustrated, new textbook investigates the rich historical, cultural, and social contexts of 3,000 years of Greek art, from the Bronze Age through the Hellenistic period. Complementary chronological and thematic chapters alternate throughout, creating a balanced and accessible framework within which students may engage with art and history, and consider questions such as Who made this? Who paid for it? What purpose did this serve? Why was it important to the ancient Greeks?
Chronological chapters survey the appearance and development of key artistic genres and explore how artifacts and architecture of the time reflect these styles. Contextual chapters illustrate how a range of factors, such as the urban environment, gender, markets, narrative, and cross-cultural contact, influenced the development of art. The result is an engaging, accessible text offering students a greater understanding of the fabric of ancient Greek culture.
"Mark Stansbury-O'Donnell has written a thoroughly contemporary history of Greek art ? the first that effectively integrates discussions of context with sensitive analysis of style. It provides students with a rich introduction to the fabric of ancient Greek culture." Tom Carpenter, Ohio University
"Stansbury-O'Donnell's admirable and innovative history deserves special praise for the fact that it devotes as much attention to ancient Greek art's cultural context as to its chronological and aesthetic development." J. J. Pollitt, Yale University
"A marvelous book, beautifully written and lavishly illustrated, it presents a well-rounded narrative of ancient Greek material culture. Combining a traditional diachronic approach with a fresh thematic coverage of the 'contexts' of ancient Greek art, it provides a comprehensive understanding of the Greeks and their world for students at all levels." Kim S. Shelton, University of California, Berkeley
"Engaging introduction to Greek art ... offers diachronic framework interspersed with chapters on synchronic themes, enhanced with comparative timelines including major monuments, definitions in margins, and profuse high-quality illustrations." Barbara A. Barletta, University of Florida
"One of the many things that makes Stansbury-O'Donnell's new survey of Greek art so refreshing ? and so important ? is his commitment to deep contexts. Specifically, he challenges students and teachers to think beyond the typical evolutionary model of 'ancient Greek art history,' and instead brilliantly focuses their attention on the rich cultural matrix that Greek art reflected, generated, and inspired." Peter Schultz, Concordia College
"Stansbury-O'Donnell has created an up-to-date and stimulating volume that presents an intelligible chronological survey of Greek art, interspersed with sections on contextual issues that examine the material from multiple synchronic perspectives and standpoints. This work will provide a valuable starting point for discussion among students on issues ancient and modern." Craig I. Hardiman, University of Waterloo, Canada
"With Stansbury-O'Donnell's skills in the interpretation of Greek art and the critical analysis of its historiography setting the tone throughout, this book provides readers at all levels with an insightful, thought-provoking introduction. Its clear structure, exquisite illustrations, and extensive supporting materials make it the most comprehensive undergraduate textbook currently on the market." Katharina Lorenz, University of Nottingham, United Kingdom
"Mark Stansbury-O'Donnell's A History of Greek Art presents a wide-ranging, magisterial, and superbly illustrated account of Greek art from the beginning of the Bronze Age to the end of the Hellenistic period. Its clear structure and exceedingly well chosen examples are most useful to students and teachers alike." Thomas Mannack, Beazley Archive, Oxford, United Kingdom
Written with students in mind, this thoroughly illustrated, new textbook investigates the rich historical, cultural, and social contexts of 3,000 years of Greek art, from the Bronze Age through the Hellenistic period. Complementary chronological and thematic chapters alternate throughout, creating a balanced and accessible framework within which students may engage with art and history, and consider questions such as Who made this? Who paid for it? What purpose did this serve? Why was it important to the ancient Greeks?
Chronological chapters survey the appearance and development of key artistic genres and explore how artifacts and architecture of the time reflect these styles. Contextual chapters illustrate how a range of factors, such as the urban environment, gender, markets, narrative, and cross-cultural contact, influenced the development of art. The result is an engaging, accessible text offering students a greater understanding of the fabric of ancient Greek culture.
Illustrations xiii
Acknowledgments xxi
Timeline xxiii
About the Website xxvii
Maps xxviii
1 Introduction and Issues in the History of Greek Art 1
An Alternative Mini-History of Greek Art 6
Some Questions to Consider for this Book 10
The Plan of this Book 15
A Few Notes About Using this Book 16
Textbox: Stylistic Analysis and Sir John Beazley 17
References 18
Further Reading 18
2 The Early and Middle Bronze Ages c. 3100-1600 BCE 19
Timeline 20
Chronology, Regions, Periods, and Pottery Analysis 21
Early Cycladic and Minoan Periods, c. 3100-2000 BCE 24
Early to Middle Helladic (c. 3100-1675 BCE) 27
Protopalatial and Neopalatial Crete 32
The Cyclades 39
Middle Helladic to the Late Helladic I Shaft Graves 43
Textbox: The Eruption of Thera and Debates over Absolute Chronology 46
References 47
Further Reading 47
3 The Late Bronze Age II-III (c. 1600-1075 BCE) 48
Timeline 49
Late Minoan (LM II to LM III) 51
Late Helladic Architecture 52
Late Helladic Pottery and Terracottas 59
Textbox: The Trojan War 66
References 67
Further Reading 67
4 The Sub-Mycenaean, Protogeometric, and Geometric Periods (c. 1075-700 BCE) 68
Timeline 69
Pottery 71
Sculpture 84
Architecture 89
Textbox: What is in a Name? 95
References 96
Further Reading 96
5 Contexts I: Civic, Domestic, and Funerary 97
Timeline 98
The City and its Spaces 99
The Agora 105
Houses and Domestic Spaces 111
Textiles 115
The Symposion 118
Graves 122
Textbox: Agency 127
References 128
Further Reading 129
6 The Seventh Century (c. 725/700-625/600 BCE) 130
Timeline 131
Greek Pottery Painting and the Mediterranean 137
Metalwork and Terracotta 143
Architecture and its Decoration 145
Textbox: Network Theory 150
References 151
Further Reading 151
7 Contexts II: Sanctuaries and Architecture 152
Timeline 153
Sanctuaries 154
Temples and the Architectural Orders 161
A Mini-History of the Greek Temple 167
Other Buildings of the Sanctuary 170
Rituals and Offerings 172
Textbox: Ritual Analysis and Theoria 177
References 177
Further Reading 178
8 The Sixth Century (c. 625/600-480 BCE) 179
Timeline 180
Architecture and Architectural Sculpture 181
Free-Standing Sculpture 190
Other Media 197
Painted Pottery 199
Textbox: Color in Greek Sculpture 207
References 208
Further Reading 208
9 Narrative 209
Timeline 210
Narrative and Artistic Style 212
Narrative Time and Space 214
Viewing Context 220
Art and Literature 222
Choice of Mood and Moment 225
Symbolic and Universal Aspects of Narrative 229
Textbox: Interpretation and Information Theory 233
References 234
Further Reading 234
10 The Fifth Century (c. 480-400 BCE) 235
Timeline 236
Architecture, Architectural Sculpture, and Relief 244
The Acropolis at Athens 246
Late Fifth-Century Sculpture 253
Painting 255
Textbox: The Parthenon Marbles and Cultural Patrimony 262
References 263
Further Reading 264
11 The Production of Greek Art and its Markets 265
Timeline 266
Production: Architecture 267
Production: Architectural Sculpture 269
Production: Sculpture 271
Production: Pottery 273
Wares, Markets, and Distribution 276
Artists and Workshops 279
Textbox: The Value of Greek Art 284
References 284
Further Reading 285
12 The Fourth Century to c. 330 BCE 286
Timeline 287
Architecture 288
Sculpture 293
Art and Individuals 299
Pottery 305
Mosaic and Fresco 310
Textbox: The Copy Hypothesis 317
References 318
Further Reading 318
13 Identity 319
Timeline 320
Gender 322
Women's Lives 324
Women in Public 329
Men and Youths: Gender and Sexuality 331
Interaction: Class, Civic, and Ethnic Identity 335
Textbox: Money Purses, Sex, and Identity 339
References 340
Further Reading 340
14 The Hellenistic Period c. 330-30 BCE 341
Timeline 342
Characteristics of the Hellenistic Period 347
Cities and Architecture 348
Sculptural Styles and Dating 355
Theatricism and Narrative 358
Representations and Portrayal 363
Painting 369
The Private and Personal Realm 374
Textbox: The Riace Warriors as Hellenistic Sculpture 378
References 379
Further Reading 379
15 Epilogue 380
Glossary 388
Index 395
Erscheinungsjahr: | 2015 |
---|---|
Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Thema: | Kunstgeschichte |
Medium: | Taschenbuch |
Inhalt: | 448 S. |
ISBN-13: | 9781444350159 |
ISBN-10: | 1444350153 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Stansbury-O'Donnell, Mark D. |
Hersteller: |
John Wiley & Sons
John Wiley and Sons Ltd |
Verantwortliche Person für die EU: | Wiley-VCH GmbH, Boschstr. 12, D-69469 Weinheim, amartine@wiley-vch.de |
Maße: | 280 x 216 x 23 mm |
Von/Mit: | Mark D. Stansbury-O'Donnell |
Erscheinungsdatum: | 30.01.2015 |
Gewicht: | 1,09 kg |
Illustrations xiii
Acknowledgments xxi
Timeline xxiii
About the Website xxvii
Maps xxviii
1 Introduction and Issues in the History of Greek Art 1
An Alternative Mini-History of Greek Art 6
Some Questions to Consider for this Book 10
The Plan of this Book 15
A Few Notes About Using this Book 16
Textbox: Stylistic Analysis and Sir John Beazley 17
References 18
Further Reading 18
2 The Early and Middle Bronze Ages c. 3100-1600 BCE 19
Timeline 20
Chronology, Regions, Periods, and Pottery Analysis 21
Early Cycladic and Minoan Periods, c. 3100-2000 BCE 24
Early to Middle Helladic (c. 3100-1675 BCE) 27
Protopalatial and Neopalatial Crete 32
The Cyclades 39
Middle Helladic to the Late Helladic I Shaft Graves 43
Textbox: The Eruption of Thera and Debates over Absolute Chronology 46
References 47
Further Reading 47
3 The Late Bronze Age II-III (c. 1600-1075 BCE) 48
Timeline 49
Late Minoan (LM II to LM III) 51
Late Helladic Architecture 52
Late Helladic Pottery and Terracottas 59
Textbox: The Trojan War 66
References 67
Further Reading 67
4 The Sub-Mycenaean, Protogeometric, and Geometric Periods (c. 1075-700 BCE) 68
Timeline 69
Pottery 71
Sculpture 84
Architecture 89
Textbox: What is in a Name? 95
References 96
Further Reading 96
5 Contexts I: Civic, Domestic, and Funerary 97
Timeline 98
The City and its Spaces 99
The Agora 105
Houses and Domestic Spaces 111
Textiles 115
The Symposion 118
Graves 122
Textbox: Agency 127
References 128
Further Reading 129
6 The Seventh Century (c. 725/700-625/600 BCE) 130
Timeline 131
Greek Pottery Painting and the Mediterranean 137
Metalwork and Terracotta 143
Architecture and its Decoration 145
Textbox: Network Theory 150
References 151
Further Reading 151
7 Contexts II: Sanctuaries and Architecture 152
Timeline 153
Sanctuaries 154
Temples and the Architectural Orders 161
A Mini-History of the Greek Temple 167
Other Buildings of the Sanctuary 170
Rituals and Offerings 172
Textbox: Ritual Analysis and Theoria 177
References 177
Further Reading 178
8 The Sixth Century (c. 625/600-480 BCE) 179
Timeline 180
Architecture and Architectural Sculpture 181
Free-Standing Sculpture 190
Other Media 197
Painted Pottery 199
Textbox: Color in Greek Sculpture 207
References 208
Further Reading 208
9 Narrative 209
Timeline 210
Narrative and Artistic Style 212
Narrative Time and Space 214
Viewing Context 220
Art and Literature 222
Choice of Mood and Moment 225
Symbolic and Universal Aspects of Narrative 229
Textbox: Interpretation and Information Theory 233
References 234
Further Reading 234
10 The Fifth Century (c. 480-400 BCE) 235
Timeline 236
Architecture, Architectural Sculpture, and Relief 244
The Acropolis at Athens 246
Late Fifth-Century Sculpture 253
Painting 255
Textbox: The Parthenon Marbles and Cultural Patrimony 262
References 263
Further Reading 264
11 The Production of Greek Art and its Markets 265
Timeline 266
Production: Architecture 267
Production: Architectural Sculpture 269
Production: Sculpture 271
Production: Pottery 273
Wares, Markets, and Distribution 276
Artists and Workshops 279
Textbox: The Value of Greek Art 284
References 284
Further Reading 285
12 The Fourth Century to c. 330 BCE 286
Timeline 287
Architecture 288
Sculpture 293
Art and Individuals 299
Pottery 305
Mosaic and Fresco 310
Textbox: The Copy Hypothesis 317
References 318
Further Reading 318
13 Identity 319
Timeline 320
Gender 322
Women's Lives 324
Women in Public 329
Men and Youths: Gender and Sexuality 331
Interaction: Class, Civic, and Ethnic Identity 335
Textbox: Money Purses, Sex, and Identity 339
References 340
Further Reading 340
14 The Hellenistic Period c. 330-30 BCE 341
Timeline 342
Characteristics of the Hellenistic Period 347
Cities and Architecture 348
Sculptural Styles and Dating 355
Theatricism and Narrative 358
Representations and Portrayal 363
Painting 369
The Private and Personal Realm 374
Textbox: The Riace Warriors as Hellenistic Sculpture 378
References 379
Further Reading 379
15 Epilogue 380
Glossary 388
Index 395
Erscheinungsjahr: | 2015 |
---|---|
Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Thema: | Kunstgeschichte |
Medium: | Taschenbuch |
Inhalt: | 448 S. |
ISBN-13: | 9781444350159 |
ISBN-10: | 1444350153 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Stansbury-O'Donnell, Mark D. |
Hersteller: |
John Wiley & Sons
John Wiley and Sons Ltd |
Verantwortliche Person für die EU: | Wiley-VCH GmbH, Boschstr. 12, D-69469 Weinheim, amartine@wiley-vch.de |
Maße: | 280 x 216 x 23 mm |
Von/Mit: | Mark D. Stansbury-O'Donnell |
Erscheinungsdatum: | 30.01.2015 |
Gewicht: | 1,09 kg |